chess in the book "From Russia With Love"

7 The Wizard of Ice

THE TWO faces of the double clock in the shiny, domed case looked out across the chess-board like the eyes of some huge sea monster that had peered over the edge of the table to watch the game.

The two faces of the chess clock showed different times. Kronsteen’s showed twenty minutes to one. The long red pendulum that ticked off the seconds was moving in its staccato sweep across the bottom half of his clock’s face, while the enemy clock was silent and its pendulum motionless down the face. But Makharov’s clock said five minutes to one. He had wasted time in the middle of the game and he now had only five minutes to go. He was in bad `time-trouble’ and unless Kronsteen made some lunatic mistake, which was, unthinkable, he was beaten.

Kronsteen sat motionless and erect, as malevolently inscrutable as a parrot. His elbows were on the table and his big head rested on clenched fists that pressed into his chucks, squashing the pursed lips into a pout of hauteur and disdain. Under the wide, bulging brow the nether slanting black eyes looked down with deadly calm on his winning board. But, behind the mask, the blood was throbbing in the dynamo of his brain, and a thick worm-like vein in his right temple pulsed at a beat of over ninety. He had sweated away a pound of weight in the last two hours and ten minutes, and the spectre of a false move still had one hand at his throat. But to Makharov, and to the spectators, he was still `The Wizard of Ice’ whose game had been compared to a man eating fish. First he stripped off the skin, then he picked out the bones, then he ate the fish. Kronsteen had been Champion of Moscow two years running, was now in the final for the third time and, if he won this game, would be a contender for Grand Mastership.

In the pool of silence round the roped-off top table there was no sound except the loud tripping feet of Kronsteen’s clock. The two umpires sat motionless in their raised chairs. They knew, as did Makharov, that this was certainly the kill. Kronsteen had introduced a brilliant twist into the Meran Variation of the Queen’s Gambit Declined. Makharov had kept up with him until the 28th move. He had lost time on that move. Perhaps he had made a mistake there, and perhaps again on the 31st and 33rd moves. Who could say? It would he a game to be debated all over Russia for weeks to come.

There came a sigh from the crowded tiers opposite the Championship game. Kronsteen had slowly removed the right hand from his cheek and had stretched it across the board. Like the pincers of a pink crab, his thumb and forefinger had opened, then they had descended. The hand, holding a piece, moved up and sideways and down. Then the hand was slowly brought back to the face.

The spectators buzzed and whispered as they saw, on the great wall map, the 41st move duplicated with a shift of one of the three-foot placards. R-Kt8. That must be the kill!

Kronsteen reached deliberately over and pressed down the lever at the bottom of his clock. His red pendulum went dead. His clock showed a quarter to one. At the same instant, Makharov’s pendulum came to life and started its loud, inexorable beat.

Kronsteen sat back. He placed his hands flat on the table and looked coldly across at the glistening, lowered face of the man whose guts he knew, for he too had suffered defeat in his time, would be writhing in agony like an eel pierced with a spear. Nlakharov, Champion of Georgia. Well, tomorrow Comrade Makharov could go back to Georgia and stay there. At any rate this year he would not be moving with his family up to Moscow.

A man in plain clothes slipped under the ropes and whispered to one of the umpires. He handed him a white envelope. The umpire shook his head, pointing at Makharov’s clock, which now said three minutes to one. The man in plain clothes whispered one short sentence which made the umpire sullenly bow his head. He pinged a handbell.
There is an urgent personal message for Comrade Kronsteen,' he announced into the microphone. There will be a three minutes’ pause.’

A mutter went round the hall. Even though Makharov now courteously raised his eyes from the board and sat immobile, gazing up into the recesses of the high, vaulted ceiling, the spectators knew that the position of the game was engraved on his brain. A three minutes’ pause simply meant three extra minutes for Makharov.

Kronsteen felt the same stab of annoyance, but his face was expressionless as the umpire stepped down from his chair and handed him a plain, unaddressed envelope. Kronsteen ripped it open with his thumb acid extracted the anonymous sheet of paper. It said, in the large typewritten characters he knew so well, `You ARE REQUIRED THIS INSTANT’. No signature and no address.

Kronsteen folded the paper and carefully placed it in his inside breast pocket. Later it would be recovered from him and destroyed. He looked up at the face of the plain-clothes man standing beside the umpire. The eyes were watching him impatiently, commandingly. To hell with these people, thought Kronsteen. He would not resign with only three minutes to go. It was unthinkable. It was an insult to the People’s Sport. But, as he made a gesture to the umpire that the game could continue, he trembled inside, and he avoided the eyes of the plain-clothes man who remained standing, in coiled immobility, inside the ropes.

The bell pinged. `The game proceeds.’

Makharov slowly bent down his head. The hand of his clock slipped past the hour and he was still alive.

Kronsteen continued to tremble inside. What he had done was unheard of in an employee of SMERSH, or of any other State agency. He would certainly be reported. Gross disobedience. Dereliction of duty. What might be the consequences? At the best a tongue-lashing from General G., and a black mark on his zapiska. And the worst? Kronsteen couldn’t imagine. He didn’t like to think. Whatever happened, the sweets of victory had turned bitter in his mouth.

But now it was the end. With five seconds to go on his clock, Makharov raised his whipped eyes no higher than the pouting lips of his opponent and bent his head in the brief, formal bow of surrender. At the double ping of the umpire’s bell, the crowded hall rose to its feet with a thunder of applause.

Kronsteen stood up and bowed to his opponent, to the umpires, and finally, deeply, to the spectators. Then, with the• plain-clothes man in his wake, he ducked under the ropes and fought his way coldly and rudely through the mass of his clamoring admirers towards the main exit.

Outside the Tournament Hall, in the middle of the wide Pushkin Ulitza, with its engine running, stood the usual anonymous black ZIK saloon. Kronsteen climbed into the back and shut the door. As the plain-clothes man jumped on to the running-board and squeezed into the front seat, the driver crashed his gears and the car tore off down the street.

Kronsteen knew it would be a waste of breath to apologise to the plain-clothes guard. It would also be contrary to discipline. After all, he was Head of the Planning Department of SMERSH, with the honorary rank of full Colonel. And his brain was worth diamonds to the organization. Perhaps he could argue his way out of the mess. He gazed out of the window at the dark streets, already wet with the work of the night cleaning squad, and bent his mind to his defence. When there came a straight street at the end of which the moon rode fast between the onion spires of the Kremlin, and they were there.

When the guard handed Kronsteen over to the A.D.C., he also handed the A.D.C. a slip of paper. The A.D.C. glanced at it and looked coldly up at Kronsteen with half-raised eyebrows. Kronsteen looked calmly back without saying anything. The A.D.C. shrugged his shoulders and picked up the office telephone and announced him.

When they went into the big room and Kronsteen had been waved to a chair and had nodded acknowledgment of the brief pursed smile of Colonel Klebb, the A.D.C. went up to General G. and handed him the piece of paper. The General read it and looked hard across at Kronsteen. While the A.D.C. walked to the door and went out, the General went on looking at Kronsteen. When the door was shut, General G. opened his mouth and said softly, `Well, Comrade?’

Kronsteen was calm. He knew the story flint would appeal. He spoke quietly and with authority. `To the public, Comrade General, I am a professional chess player. Tonight I became Champion of Moscow for the third year in succession. If, with only three minutes to go, I had received a message that my wife was being murdered outside the door of the Tournament Hall, I would not have raised a finger to save her. My public knows that. They are dedicated to the game as myself. Tonight, if I had resigned the game and had come immediately on receipt of that message, five thousand people would have known that it could only be on the orders of such a department as this. There would have been a storm of gossip. My future goings and comings would have been watched for clues. It would have been the end of my cover. In the interests of State Security, I waited three minutes before obeying the order. Even so, my hurried departure will be the subject of much comment. I shall have to say that one of my children is gravely ill. I shall have to put a child into hospital for a week to support the story. I deeply apologize for the delay in carrying out the order. But the decision was a difficult one. I did what I thought best in the interests of the Department.’

General G. looked thoughtfully into the dark slanting eyes. The man was guilty, but the defence was good. He read the paper again as if weighing up the size of the offence, then he took out his lighter and burned it. He dropped the last burning corner on to the glass top of his desk and blew the ashes sideways on to the floor. He said nothing to reveal his thoughts, but the burning of the evidence was all that mattered to Kronsteen. Now nothing could go on his zapiska. He was deeply relieved and grateful. He would bend all his ingenuity to the matter on hand. The General had performed an act of great clemency. Kronsteen would repay him with the full coin of his mind.

Pass over the photographs, Comrade Colonel,' said General G., as if the brief court-martial had not occurred. The matter is as follows. . . .

[Event “match”]
[Site “Ch World , Moscow (Russia)”]
[Date “1951.01.24”]
[Round “23”]
[White “Mikhail Botvinnik”]
[Black “David Bronstein”]
[Result “1-0”]
[ECO “E60”]

1.d4 Nf6 2.c4 g6 3.g3 c6 4.Bg2 d5 5.cxd5 cxd5 6.Nc3 Bg7 7.Nh3 Bxh3
8.Bxh3 Nc6 9.Bg2 e6 10.e3 O-O 11.Bd2 Rc8 12.O-O Nd7 13.Ne2 Qb6 14.Bc3 Rfd8 15.Nf4 Nf6 16.Qb3 Ne4 17.Qxb6 axb6 18.Be1 Na5 19.Nd3 Bf8 20.f3 Nd6 21.Bf2 Bh6 22.Rac1 Nac4 23.Rfe1 Na5 24.Kf1 Bg7 25.g4 Nc6 26.b3 Nb5 27.Ke2 Bf8 28.a4 Nc7 29.Bg3 Na6 30.Bf1 f6 31.Red1 Na5 32.Rxc8 Rxc8 33.Rc1 Rxc1 34.Nxc1 Ba3 35.Kd1 Bxc1 36.Kxc1 Nxb3+ 37.Kc2 Na5 38.Kc3 Kf7 39.e4 f5 40.gxf5 gxf5 41.Bd3 Kg6 42.Bd6 Nc6 43.Bb1 Kf6 44.Bg3 fxe4 45.fxe4 h6 46.Bf4 h5 47.exd5 exd5 48.h4 Nab8 49.Bg5+ Kf7 50.Bf5 Na7 51.Bf4 Nbc6 52.Bd3 Nc8 53.Be2 Kg6 54.Bd3+ Kf6 55.Be2 Kg6 56.Bf3 N6e7 57.Bg5 1-0

How is this anything but a massive copyright violation?

Alex Relyea

Using an excerpt for discussion like this probably doesn’t violate copyright. That is not to say that Sam hasn’t violated copyright with a number of books he’s “republished.” But, it’s doubtful that any of those “victims” or their estates/publishers are going to go after such a small fish in the publishing ocean.

The book was published in 1957, the author is long since dead, there is no copyright registration that I could find, so the book is almost certainly in public domain.

Sam Sloan

Nonsense. If the book was under copyright in 1957, it’s under copyright now. The death of the author is completely irrelevant. Unlike most other stuff you’ve reprinted, this is a serious commercial property, and if you pirate it you’re going to get hammered. Sam, you really ought to learn something about copyright law before you boast of violating it.

With no legal background, but with minimal google research it looks like a book that was published between 1923 and 1963 and has had its copyright renewed is under copyright protection for 95 years. If somebody wants to risk a copyright infringement on this book prior to 2052 then that person may want to make absolutely certain that the copyright has not been renewed (more than just doing a cursory search).

John Hillery, who claims to be a great journalist, knows nothing about Copyright Law.

I speak to the US Copyright Office in Washington DC two or three times per week about such issues and I know that what I am doing is OK.

The book was published in 1957 by Jonathan Page / Jonathan Cage company and eventually became an imprint of Random House in 1987. Ian Fleming died in 1964.

But so what?

From Wikipedia ( en.wikipedia.org/wiki/Ian_Fleming_Publications ):

In the U.S. it’s 95 years. In the UK it’s life of author + 70 years. Somehow I doubt that the combination of Ian Fleming Publications and Penguin Group (Publisher of Bond currently AFAICT,) with Random House thrown into the mix, would allow unauthorized republication of Fleming’s work.

And the wholesale quoting above would be an interesting test of Fair Use doctrine, even though DMCA takedown notices are so cheap, relatively speaking.

Oh, well, enough time wasted. The novel is worth reading, though, for fans of both Bond and Chess.

Can’t believe I’m wasting more time by editing to add in… At one point one did have to add a (c) or Copyright symbol to a book. But you should certainly know that this is no longer the case - copyright, if applicable, obtains upon publication. The most one needs to do is register one’s work at the time you’re going to sue someone for infringement, if necessary. I believe getting first registration doesn’t cut it anymore, either. Though one can still register a work on its own merits. And in 1996 provisions were made for previously public domain works to have their copyrights restored. I would find it incredible if I.F.P. didn’t restore it then, if necessary, though I doubt it was expired.

If an individual who holds copyright on a work dies, that copyright becomes property of the estate. If a company holds it, it belongs to the company or the company’s successor in interest.

Just because one gets away with the infringement because there is no successor in interest to file suit does not mean the work has slipped into public domain. Nor does it become “right” to do so, morally. The very concept of public domain is somewhat murky. But relying on common law always is.

You’re a publisher and don’t know these things?

But like Mr. Hillery below, it is surely your call. Someday you will guess wrong and then be liable for infringement.

No, you don’t Sam. You assume it’s OK because don’t know enough to ask the right questions. I can’t say I care if you get into legal trouble or not, but it might be embarrassing to the chess community if you made a fool of yourself publicly.

Prior to 1978, U.S. copyright ran for 27 years, with an optional renewal for another 27. The vital status of the creator had nothing to do with the matter then or now; copyright is property, which can be bought or sold or transmitted to heirs. It can pass into public domain by voluntary action, but I think even you realize that that hasn’t happened with Fleming’s books. In 1978, the Copyright Act was amended, with one of the provisions being that anything still under copyright (first or second term) at that time got a one-shot extension such that it would expire 75 years after the initial copyright. This was later changed to extend it to 95 years. That’s an interesting topic, but it’s complex, and there is hardly much point in lecturing you on calculus before you learn to add.

Facts are facts, Sam. No amount of bluster or denial on your part is going to change them.

Some portion of the quoted material was published in the English magazine CHESS (probably before 1966), and the editor B.H. Wood wanted readers to submit criticisms identifying flaws in the descriptions of the championship event. I do not think I ever read the submissions. It would be interesting if someone could delve and bring them up again in this forum.

Irony: Sam was a math major in a university with an esteemed math department.

I go to bookfinder.com, I supply Fleming and From Russia with Love as author and title, and I supply “copyright” as a keyword. I link to listings of said book with copyright 1957, and copies that have a copyright page.

When there are disagreements between Wikipedia and the US Copyright Office, I tend to follow whatever the US Copyright Office says.

When an author is deceased, any new copyright claimant is required to file a registration of copyright with the US Copyright Office and to include all those legal documents on which the claim to a copyright is based.

I have found no record of this having been done with respect to the book “From Russia with Love”.

Sam Sloan

Sam’s life is every bit as interesting as that of Ian Lancaster Fleming.
When can we expect some original work?

His picture is on the wall of the Justices’ Chambers in the back of the Supreme Court.

Is this really true? Which Supreme Court? I know that this looks like a joke, but it might actually be true.

It is a fact that my name is on the inside wall of the former Citibank Headquarters at 55 Wall Street. You can still see it. Go inside the door and look to the right. You will see a long list of names in two columns. At the very bottom by itself is my name, Sam Sloan.

This is not to mention that there is a statue erected in my honor near the Path Train station in Hoboken NJ.

Sam Sloan

And, of course, you have paid the copyright office to do a manual search for the copyright to From Russia With Love? Or performed the manual search yourself? (Not saying you haven’t done that… which is what I believe you would need to do in this case.)

Edit to add… The Copyright Office will not give you legal advice, any more than any other government agency will. So I’d be very careful trusting to their legal opinion. The nice thing about me… I’m not offering a legal opinion.

Since Fleming began to assign the rights to Ian Fleming Publications (then Gildrose) in 1952, and Gildrose was handling foreign publications rights as of 1956, I think the first assumption would be that IFP would still retain their rights. And, since Fleming died in 1964, the results would not be available via online search. (If you search for Ian Fleming Publications, you do get a history of what they’ve registered since 1978… Final edit then back to productivity - you can also use online copyright search to pick up “Gildrose”, which gives you the 1978-IFP activity.)

But, of course, you’re more than welcome to go up against a multi-million [billion?] pound company whose only assets are the very things you purport to have some rights claim to. Me, I’d start with: redacted a little - their server doesn’t like deep linking, apparently. But try ianfleming.com and check Ian Fleming Publications, along with page three of their FAQ (foreign publication rights contacts,) and also about IFP.

Though you are certainly entitled to proceed in your own fashion, and the rewards (or more likely, liabilities,) are yours. :wink: